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We've identified the trouble with Austin. It's Austinites.

Bill Murray plays a hard-hearted grouch who warms to his new neighbors – Melissa McCarthy and her young son.

Trishas singer steps out front

This Argentinian film uses the country’s dark history as a haven for escaped Nazi war criminals as fodder for this atmospheric tale.

Neither a besmirching nor a instant classic, this sometimes clunky prequel in which James Franco plays the Wizard when he was a mere, young huckster also has Sam Raimi's ravishing visuals.

When a Manhattanite returns for a visit to his old liberal arts college, he falls hard for a student 15 years his junior.

Perry gets mean as his campaign loses steam

Pre-election antics get off to a roaring start

No mere calling card or stepping stone, the short film is enjoying a renaissance

Rev. Gean West & the Relatives add another chapter to Texas funk history

The Coen brothers deliver one of their best and most personal movies, a kind of cockeyed Jewish fable that urges us to embrace life's mysteries.

Polly Parsons, only child of Gram Parsons, comes full circle in Austin with the Hickory Wind Ranch, sober living for women

The South Austin Jug Band man heads to the Saxon tonight

F. Scott Fitzgerald's slender, unsentimental curio has been stretched by David Fincher into a nearly three-hour-long motion picture about a man (played by Brad Pitt) who ages in reverse.

This documentary account of Election Day 2004 thinks it has the answer: conspiracy and treason, Republican-style.

This animated, sci-fi romantic comedy starring anthropomorphized chimpanzees is a lot funnier than you might expect.

British author Jim Crace was struggling with a new book set in Austin. Then Austin came calling.

Tejano music, as a genre, might be on the ropes, but Sunny Ozuna – one of the genre's architects – is anything but

Will Ferrell's Anchorman needs more work behind the scenes.

Drew and the Sandman team up once more to make Valentine's weekend box-office dollars.

Blue October rebuilds.

This tour de force of modern cinema is a technical feat filmed in one, uninterrupted, Steadicam take that leads us through a vivified tour of Russian history that wends through the Hermitage Museum in St. Petersburg.

The arrangements were made, the interview set: Jerry Hall, one of the most glamorous and desirable women in the world, would be calling writer Stephen MacMillan Moser at home on his own telephone! And he waited. And waited. And waited …

Stone's tale of a professional football team is full of excess, machismo, and a ripped-out eyeball.